Sunday, 22 December 2013

November 2013 - Popular Music

Tori Amos - Gold Dust
Paula Cole - This Fire
Wendy Matthews - Ghosts
Over the Rhine - Ohio
Radiohead - In Rainbows
Rachael Yamagata - Happenstance 

I wasn't listening to pop music a lot during the month, and when I was I was tending to go for tried and true classics.

In one case, Gold Dust,  it wasn't a classic album but a selection of classic songs. Which I was pleased to discover I enjoyed quite a lot. I hadn't listened to the album for quite a while, since the initial period of listening when it was first released.

All the other albums were basically things that I could be confident of enjoying. I wasn't in a very exploratory mood (at least, not in popular music).  I'm still conscious of the fact that I haven't completely catalogued my pop collection in the period since I started keeping records (now getting towards 3 years), much less listened to everything that's in there. And so there's a large untapped reservoir to tackle... when I feel more inclined to tackle it.

It's also perhaps worth mentioning, not for the first time, that for pop music I generally only keep track of albums.  Or more accurately, complete discs.

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Which means that the above list doesn't reflect a song I became completely obsessed with during the month: Katy Perry's 'Wide Awake'.

And Glee's 'Wide Awake'. Yes, the show did it to me again. As far as I know I had never heard the song before its Glee appearance. But unlike previous times, I didn't end up deciding either that Glee didn't really live up to the original OR that Glee had rescued a beautiful song from overproduction.  No, this time, I became completely obsessed with two distinct versions of the same song.


And bought them both.

...I had no idea how much longer it was possible to extend an obsession with a song if one has two different versions to switch between.

Now, on the whole, I don't really like Katy Perry all that much.  The occasional song attracts some admiration.  Bizarrely, I had read this Katy Perry review a short while before hearing 'Wide Awake', which mentions the song as one of her finest. Given that much of the review fits my thoughts about Perry more generally (including mentioning 'Hot n Cold' as another of one her strong moments), I perhaps should have paid more attention. But it didn't occur to me to hunt out this song I'd never heard because... well, because it was a Katy Perry song and I don't spend a lot of time hunting out Katy Perry songs.


Instead, the song found me. And lodged in my brain. And tapped into surprising emotions - mostly to do with a previous relationship which ended some time ago, but which I was reevaluating more recently in the light of subsequent behaviour.

This little pop song, in some ways ridiculously simple in its construction (4 chords going around and around and never hitting a proper resolution) first struck me for its beautiful sound, and stayed with me as much for its lyrics. It gave my feelings voice. And I played it again and again, declaring that I was over the relationship while secretly knowing that was a lie, and hoping that sheer repetition would turn it into the truth. And marvelling at how the song could bear both interpretations.

Well played, manufactured pop industry. Well played.

Sunday, 1 December 2013

October 2013 - Classical Music

Bach, J.S.
  • Nun ist das Heil und die Kraft (Now is come salvation and strength)
  • Du sollt Gott, deinen Herren, lieben (You shall love the Lord your God)
  • Bringet dem Herrn Ehre seines Namens (Give to the Lord the glory due to his name)
  • French Suite No.6
Barber
  • Hermit Songs
  • Melodies Passageres
  • Souvenirs (solo piano version, 2 movements only)
Beethoven - Piano Sonata No.30
Bridge
  • Phantasm
  • Rebus
  • Todessehnsucht (string orchestra version)
  • A Royal Night of Variety
Delibes - Coppelia
Dvorak - Cello Concerto
Faure - La chanson d'Eve
Faure - Barcarolle No.8
Haydn - Piano Trio No.30
Hindemith - Kammermusik Nos. 2 and 3
Janacek - Glagolitic Mass
Liszt - From the Cradle to the Grave
Mahler - Piano Quartet movement
Mozart - Symphony No.39
Mozart - Piano Sonata No.16
Poulenc
  • Sextet
  • Elegie for horn and piano
  • Improvisation No.15
Rachmaninov - Piano Concerto No.2
Ravel - Sonatine
Ravel - Miroirs
Scarlatti, D. - Keyboard sonatas - K.1, 27, 283, 284, 443
Schubert - Piano Sonata in E, D.157 (unfinished)
Schumann - Kreisleriana
Schumann - Kinderszenen (Scenes from Childhood)
Vivaldi
  • Beatus vir in B flat
  • Laudate pueri in C minor
  • Laudate pueri in A
I'm continuing to revisit the Vivaldi sacred music that I originally bought in 2011, with a more systematic approach. The C minor version of Laudate pueri (Psalm 113 or 112, depending on which denomination's Bible you're using), was a particular highlight. That's mostly thanks to the singing of Susan Gritton on the version that I have, which is incredibly beautiful, particularly in a couple of the slow movements.

Someone has put the whole performance on Youtube. I've only put the second half in here, partly because it happens to start with one of the movements that I find especially magical - it's just over 2 minutes of utter bliss. If you want to hear the whole thing, I'm sure you can manage it!


Some excellent Samuel Barber works were on the October listening schedule. Melodies passageres (which I think are his only songs not in English) was improved from all my previous listens simply because this time I had access to a translation!  But I like the Hermit Songs even better. They are in turns visionary and humorous.

But the things I probably listened to most enthusiastically, and several times over, were the Ravel piano works.  In my chronological revisiting of Ravel, I've reached works that really mark him, for me, as one of the great composers for piano. Sonatine is a piece of great clarity and beauty, showing Ravel's liking for combining old and new styles.  Miroirs is... well, it's a masterpiece.  Five wonderful pieces full of atmosphere, character and amazing harmonies. He turns a piano into fluttering moths, bird calls, a rolling ocean, a Spanish guitar, and tolling bells - and it all works.