Bach, J.S. - Keyboard Partita No.4
Barber - Piano Concerto
Barber - Canzone for flute and piano
Brahms - Violin Concerto
Bridge - Four Characteristic Pieces
Bridge - Miniature Suite
Dvorak
- Saint Ludmila
- Slavonic Dances, Series 2 (piano and orchestral versions)
- Terzetto for 2 violins and viola
- Miniatures for 2 violins and viola
- Romantic Pieces for violin and piano
Mendelssohn - Cello Sonata No.1
Nielsen - String Quartet No.1
Nielsen - String Quintet
Schumann - Introduction and Allegro appassionato for piano and orchestra
Schumann - Der Handschuh
Scriabin
- Valse in F minor, op.1
- 2 Nocturnes, op.5
- 2 Impromptus a la Mazur, op.7
- The Wood-Nymph (tone poem and recitation versions)
- Cantata for the University Graduation Ceremonies of 1894
- Menuetto for orchestra
- Two Rondinos for piano
This list isn't as long as for some months, but some of the works are rather substantial. Dvorak's Saint Ludmila runs for over 2 hours. Unfortunately it's also one of his less appealing works. I tried this time to listen to the music without paying much attention to the horribly outdated plot, but this strategy was only mildly successful in improving my impression.
The Wood-Nymph is one of Sibelius' early tone poems that doesn't seem to be performed very often. I already knew the tone poem version, which has a quite astonishing passage depicting a rider going through a forest. However, at the same time Sibelius also produced a considerably shorter (and even more rarely performed) version where the poem that inspired the work is recited over the music. This version is in the BIS Sibelius Edition box of works for voice and orchestra that I purchased recently.
Reading descriptions of what the tone poem depicts in liner notes is one thing. Having a chance to hear and read the full text is quite another. Not only did it make the recited version a rewarding experience, it enhanced my enjoyment of the tone poem when I listened to it shortly afterwards.
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